|
Agnès Palier
After formative years highlighted by classical singing, French
songs, and
Jazz, Agnes Palier has been devoting herself to free improvisation.
Besides a long term duo with saxophone player Stéphane
Rives, she has
collaborated and performed with many artists, musicians, visual
artists and
dancers from France and other countries.
Member of Klac-Sons (setting up concerts at Théatre
Sur le Pavé - Paris)
together with S.Rives, F.Blondy and B.Denzler, 1999 - 2001.
Member of Ivraie orchestra together with Paris-based musicians,
in residence
at Instants Chavirés, 2002 - 2004
(S.Agnel, P.Battus, F.Blondy, L.Capece, M.Carrozzo,
B.Denzler, Q.Dubost,
D.Erdmann, B.Gauguet, T.Madiot, J.S.Mariage, A.Palier, E.Perraud,
S.Rives,
C.Séhnaoui, S.Séhnaoui, G.TorresŠ)
She is trained in the Feldenkraïs Method (Awareness Through
Movement and
Functional Integration) in Paris. She runs classes and workshops
on sung and
spoken voice and improvisation for adults and children.
She has performed extensively in France, Spain, Portugal and
Italy with
OlivierToulemonde, Pascal Battus, Jean-Philippe Gross, Christine
Sehnaoui,
and Mathias Forge. A recent tour with Jack Wright and Olivier
Toulemonde
took her to Mulhouse, Bern, Strasbourg, Munster, Hamburg,
and Berlin.
Discography:
Oxymore, with Stephane Rives, soprano sax, on Labelle du Quai,
1999
Rocca, with Olivier Toulemonde, acoustic set, on Creative
Sources
Recordings,
2005
Contact : contact at agnes-palier.net
Website: http://www.agnes-palier.net/Ukindex.htm
Olivier Toulemonde
Born 1972. Plays improvised music with amplified objects,
tight threads and springs.
Composes electroacoustic music, for concerts, radio and video.
In 1993, he was a co-founder of " Collectif Ishtar " (in Bourg-en-Bresse)
together with 20 other musicians and dancers. A year later,
he joined " Collectif et Compagnie " (in Annecy), where he
first started working with electro-acoustic music.
Since then, he has played in several festivals and clubs such
as Musique Action (Vandoeuvre), Densités (Fresne-en-Woëvre),
Synthèse (Bourges), LEM (Barcelona), Glasgow International
festival, 38èmes Rugissants (Grenoble), Musiques 97
(Marseille), Concerts d'Hiver et d'Aujourd'hui (Annecy), Festival
des Musiques Innovatrices (St Etienne), Curva Minore (Palermo),
Cruce (Madrid), ZDB (Lisbon), Festival Luisances (Brest),
Extrapool (Nijmegen), Instants Chavirés (Paris), Horlieu
(Lyon), Panonnica (Nantes), Malterie (Lille), APO33 (Nantes),
Kafé Myzik (Lyon), Petit Faucheux (Tours), Contemporary
art centre (Caen), Modern and contemporary
art museum (Strasbourg)…
He likes to work with dancers (many projects with E. Borgo,
L. Terrier, L. Chourlin).
Since 1997, compose music for Muriel Toulemonde's
videos, which have been exhibited in many contemporary art
museums.
Works often with N. Desmarchelier, M. Doneda, A. Palier and
A. Basso.
Has crossed the paths of countless artists, such as Le Quan
Ninh, Erik M, Jérome Noetinger, Lionel Marchetti, Alain
Savouret, Camel Zekri, Lelio Gianetto, Elio Martisciello,
J.C. Camps, Carole Rieussec, Alessandro Bosetti, Norbert Möslang…,
with whom he has shared defining musical experiences.
Discography:
1999 : Eclats de Mémoire (electro-acoustic music) -
label MIA
2000 : Bug (with N. Desmarchelier) - label Collectif Ishtar
2003 : Revermont (with N. Desmarchelier & M. Doneda) -
label Ektic
2004 : L'Inventaire (electro-acoustic music)
2005 : Rocca (with A. Palier) - label Creative Sources
http://olivier.toulemonde.free.fr
contact: olivier.toulemonde at 9online.fr
http://olivier.toulemonde.free.fr/
Reviews of Palier and
Toutlemond: Rocco
"Singer Agnès Palier moved from classical music, chanson
to jazz. In the last few years she concentrates on singing
in a free improvised context, which is the case on this new
CD 'Rocca'. For this occasion she is accompanied by
Oliver Toulemonde on electroacoustic set. Toulemonde may be
known as one of the founding members of the Collectif Ishtar.
Palier screams, yells, murmurs, growls, etc with her voice
in a way one aspects from vocal artists like her. Toulemonde
creates a great diversity of sounds, textures, etc. with his
electro-acoustic set. The noises he produces are the perfect
company for Palier's voice: the same in atmosphere, color,
intensity, etc. I can't detect exactly what Toulemonde is
doing on his so called 'electroacoustic set', but he seems
to use all kind of objects. They are played and used by him
in a very physical, lively and elegant way. Another reason
that makes Toulemonde and Palier an interesting duo. Their
improvisations play at at a highly abstract level. But on
the other hand their sound poetry stays 'on the floor': its
dramatic and dynamic, and very human. Their explorations evolve
within a wide range of sounds and musical possibilities. I
never had a dull moment with this one.
Dolf Mulder (Vital Weekly)
"Agnès Palier seems to find her sounds inside a small
cave within herself, enervated emissions of breath and tiny
vibrations of vocal cords coalescing into a highly personal
fairyland – without the happy ending. Although a singer
coming from a classical/jazz background, she uses her tools
with a sort of repressed anxiety that sets the overall tone
of Rocca close to those transcendental absurd theatre pieces
which have the audience either scratching their heads or wailing
in approval. Embryonic phonemes and timbral nuances coagulate
according to their own strange morphology, at times sounding
like a cassette player left on a towel at the beach with the
batteries running out and the tape melting. Olivier Toulemonde's
discreet amplified objects are the perfect complement to Palier’s
frail digressions, microsonic crumbles, and percussive clucks
and snaps; the deconstructed machinery of his caressing whispers
underlines Palier's suffering postures, like those muffled
earthquake thump-and-drag sounds made by children at play
in the apartment above you. A valuable experience in uncomfortable
pleasure and an inquisitive dismemberment of your listening
attitudes."–MR
http://www.paristransatlantic.com/magazine/monthly2006/05may_text.html#8
Jack
Wright
Over the past twenty-five years Jack Wright has been a bold
saxophonist, as well as an influential musical personality.
Either on tour or organizing the next one, he has played in
virtually every venue available to experimental improvised
music in the US, and many in Europe as well. In 1982 he created
Spring Garden Music as a vehicle for organizing an improvisational
music community, with a home base at his house in Philadelphia,
now a residence for improvisers. He has been called the Johnny
Appleseed of free improvisation for his encouragement to young
players. As a musical explorer as well, his music passes through
radical shifts of style and approach from one year to the
next, yet always somehow identifiable as his own. These days
he is playing mostly alto and soprano saxophones, in every
possible direction, sometimes even recognizable as such. He
lives in Easton, which enables him to commute easily to NYC
and Phila. He is also increasingly active in Europe, touring
both sides of the Atlantic with European musicians.
The Washington Post once allowed this to be printed: "In the
rarefied, underground world of experimental free improvisation,
saxophonist Jack Wright is king". And a German publication,
Bad Alchemy, had this to say of his solo: "Wright does not
make music, he embodies it, he transforms it with a naiveté
of another order. It grows into a sound river, he is part
of the diaphragm through which the heterogeneous whispers."
Jack has over sixty partners around the US and in Europe with
whom he plays on his travels and records. His most recent
tours have been with Fabrizio Spera and Alberto Braida in
Italy; with Agnes Palier and Olivier Toutlemond in France,
Switzerland and Germany, with Michael Johnsen and Sebastien
Cirotteau in Europe; with French soprano sax player Michel
Doneda and percussionist Tatsuya Nakatani in Japan, France
and the US; Carol Genetti, sound vocalist of Chicago, and
Jon Mueller, percussionist of Milwaukee; cellist Bob Marsh
of the Bay area; Nate Wooley, trumpet, of NYC in Europe; Michael
Griener percussion and Sabine Vogel flute of Berlin; Reuben
Radding, NYC bassist; and Phil Durrant, English laptop musician.
Discography--36 records and cd's, see below for details
For a full bio, writings, sound files and list of recordings
visit his website: www.springgardenmusic.com
feature article in Signal to Noise Magazine: www.paristransatlantic.com/magazine/monthly2003/04apr_text.html
webpage
of bio and writings in French:
en
francais
|